Specialization

Creative Still-Life Photography Specialization: Master Lighting and Composition

Explore lighting and color techniques to create dynamic still-life photography compositions

Specialization · 7 modules

Explore the vibrant world of creative still-life photography with a team of expert photographers, including Amy Currell, Gerard+Belevender, Daniela Constantini, Victoria Jane, Littledrill, and Nicolas Polli. Dive into a variety of styles and techniques, from mastering light and color to conceptual storytelling through imagery. Discover how to create bold, dynamic compositions using contrast and color blocking, and experiment with unconventional styling to push the boundaries of traditional still-life photography.

Capture the essence of botanical beauty with natural light techniques and learn how to enhance textures and details. For those drawn to drama, explore chiaroscuro-inspired setups, creating deep contrasts and atmospheric aesthetics. Master flash photography to achieve polished, high-impact images with controlled lighting effects. Each course culminates in a captivating final project, ensuring hands-on experience in crafting visually stunning still-life photographs. This specialization offers a comprehensive journey into the art of still-life photography, perfect for those ready to elevate their creative skills.

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What will you learn in this specialization?

A total of 7 modules and 80 lessons
A total of 12h 44m of vídeo lessons
Taught by 6 selected expert teachers
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3
Still Life Photography
Here I'll give you an introduction to the basics of still life and product photography. I'll talk about how to work with fashion products and set design to bring these images to life.
5m
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4
Camera Equipment
In this lesson, I’ll take you through selecting the right camera and lenses.
3m
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5
The Principles of Light
Next, you'll learn the fundamental principles of light and the differences between a soft fill light and a hard light that mimics the sun.
4m
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Developing the Concept
Now that you have an understanding of the basics, it's time to start considering your concept. In this lesson, I will discuss the initial stages of framing your idea and developing it into a visual outcome.You will learn how to approach colour and the ideation process using art reference books and choosing your products.
14m
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7
Building the Set
Here I'll demonstrate how to prepare all the necessary elements to photograph the products. First, I'll teach you how to work with the shoes against a beach background. I'll be working in my studio, showing you around and giving you insight into behind-the-scenes tips and tricks.
3m
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Setting Up: Lights and Camera
In this lesson, you'll learn how to position the tripod, get the camera connected to the computer, and sync the lights.
4m
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Accessory Image Photo Session
To end this unit, I'll take you through all the steps you need to complete to make your image a reality.
3m
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10
Preparing the Set
Here you'll see how to change the elements of the set design to move on to the beauty image.
3m
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Lighting the Set
Next, I'll demonstrate the effect of changing the light source to soft light. This is much more beneficial when working with gold or silverware.
2m
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The Beauty Image Photo Session
In this lesson, I'll walk you through the necessary steps to complete to capture all the elements you'll need to realise your image.
3m
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Curating the Images
In this lesson, you'll see how to go through the first capture session and choose the adequate images.
3m
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14
Balancing Business with the Creative
This lesson is an essential run-through of all the other elements of being a photographer.
6m
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How to Generate Original Ideas
In this lesson, we'll show you how we come up with ideas, and we'll give you some tips for a consistent flow of new ideas. Once you've come up with an idea, it's essential to mind map it further to ensure you're exploring all options.
17m
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Exploring Ideas through Research
Now that you have your idea, you'll research everything you can about it. You'll look at its history, pop culture influences, personal memories, and anything else related to it.
10m
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Creating a Narrative
When you're done researching, it's time to write a narrative statement that captures the mood and concept you're trying to emulate. Here, we'll show you how to do this!
3m
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Creating a Mood Board
In this lesson, we'll show you how to set up a mood board with references to the overall aesthetic and any notes you've taken during your research.
6m
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Working with Food
In this lesson, we'll discuss all of the various ways you can work creatively with food. You definitely don't need to be a chef! We'll also talk about the food prep you can do beforehand to help your shoot day go smoother and faster.
6m
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Setting the Scene in Milanote
Using the narrative and mood board as a guide, it's time to start visualizing what a single photo would look like. You'll be asked questions about your scene that will help you design a set that communicates the narrative statement you made.
7m
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Camera Angle, Color Palette, and Lighting
Now we'll teach you how to create a lighting plan and a color palette, and decide on a camera angle for the narrative. These should always be referring back to the narrative statement and mood board.
14m
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Set Design and Props
Next, you'll learn how to turn your mood board into a real-life set. We'll explore different ways to build sets and teach you some resourceful techniques. In addition, we'll talk about how to find or make props at home.
14m
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Technical Equipment and Settings
In this lesson, we'll talk about the camera gear and lighting that we'll be using to capture the scene.
4m
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12
Setting up the Scene with Tethering
Next, we'll start assembling the set using the mood boards as a reference. In addition, we'll discuss how tethering allows you to compose your scene more easily.
2m
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13
Lighting and Styling
Once the scene has been set, it's time to add in the lighting and style the props to represent the narrative statement.
18m
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Shooting the Final Photo
After a few final touches on the scene, we're ready for the photoshoot! In this lesson, we'll show you how to add the last details and capture the photo.
5m
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Editing the Final Photo 1
All of our photos will now be loaded into Adobe Lightroom, and we'll review them to choose the best one. Then, we'll discuss how to adjust the basic exposure, color, and sharpness. Next, we'll move to Adobe Photoshop, and open the references to edit the image using color grading, contrast, saturation, and so on.
17m
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Editing the Final Photo 2
Last but not least, we'll teach you how to merge the layers in Photoshop and start working on smaller details in order to clean up and finalize the image.
14m
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An Inspired Still Life Photograph
Let's start with the preparations to create an inspired still life photograph. Since the biggest inspiration for this project is the work of master painters from the 17th until the 19th century, I like to pay attention to their composition, use of light, and inanimate objects to create my image.
5m
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The Composition
In this lesson, I will cover the composition rules I follow to contrive images with unity, balance, and contrast.
3m
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Color Theory
I will now talk about color theory and provide you with examples of applied color in my still life work.
3m
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Creating a Mood Board
It's really useful to create a mood board, as it can help you know in advance if the colors you are going to work with actually work together. It can also remind you of details that you don't want to forget and it helps you materialize your ideas.
3m
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7
The Materials
To create a still life photograph, it's useful to have additional tools to help you keep objects in place, level different objects, bring in height and different layers, and add details. Some photography props can also help bounce or block light. Let me show you the materials I will use!
8m
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The Styling
A big part of the success of a still life will fall within the scope of styling. So, take the time to arrange the object you will photograph, consider the composition rules I covered earlier, and begin to get creative with the arrangement.
13m
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Framing and Camera Angles
After the styling is done and all the elements are in perfect symmetry, it's time to frame the scene. As I do so, I will explain the camera lens I use to shoot still lifes and why.
4m
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10
The Lighting
Once I have the set and the framing, I will work on the lighting. I will show you how I usually arrange the lights to achieve the light you have seen throughout my work.
8m
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11
Photoshoot of a Still Life
Now that I have arranged the scene, the styling is done, and I have set the camera and lights, it's time to shoot! The still lifes I build can only be shot from two different angles, a 45-degree angle and a frontal shot. I will demonstrate both and the advantages of having variety.
3m
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12
Selection and Lightroom Adjustments
After the photoshoot, the next step is to select the final image and make some corrections. Let me show you how I start the editing process in Lightroom.
11m
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Photoshop and Exporting
Once the necessary adjustments and corrections are done, the image has to be exported for publication, either on social media, on a website, or in print. Here I will share my tips on that.
12m
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Publishing, Editing, and Sequencing Your Work
In this lesson, I will briefly cover why sequencing your work is important. Proper space for the proper image: I recommend keeping that in mind.
4m
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Preproduction for Your Creative Still Life
In this lesson, we will introduce you to our creative process, starting with brainstorming and putting together a mood board that will guide us through the creation of the project.
9m
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Sketching
Next, we will share with you our sketching process that will help you find your concept.
9m
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Searching and Building Props
Let's now go over the construction aspect of pre-production and discuss creative solutions for props building.
13m
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Building the Prop and Set
First, we will build our backdrop and the "stage" for where we will be styling our props and styling elements.
20m
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Styling, Lighting, and Shooting
It's time to shoot! First, we will set up the lighting to work with a DSLR camera. Working with constant light sources means that you can shoot with either a cell phone or a DSLR camera. If you're shooting with a camera, it's still handy to get cell phone shots to share with the client, or on social media.
19m
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Shooting and Editing with a Smartphone
Let's now take some pictures with the smartphone. We will also go through some lighting options you can use and show you how to edit the photos on your smartphone.
9m
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DSLR Photo Editing
In this lesson, we will show you how we make the overall adjustments, whatever is necessary—crop, adjust levels, color balance, etc. We will go over a few more involved Photoshop techniques.
8m
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Detailed Retouching 1
Finally, we will pixel-peep our photo and apply some detailed edits to give the image a clean and finished look.
18m
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Detailed Retouching 2
You will see how easily you can execute your creative concepts! We hope that you're now inspired to develop your own unique ideas.
15m
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Plan your photo (sketch, moodboard and references)
It’s time to plan your photo for the final project. You will sketch first and then create a moodboard and find references to help you understand how you want to create your composition.
20m
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Behind the scenes of a composition
In this lesson I will show you some examples in my practice with the technique of “Showing the results and then showing the behind the scenes”. In this way we can “easily” understand what is behind the construction of an image and how we reach the final image.
13m
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Materials for the course
In this lesson we will get ready for the shooting, be sure to have all the essentials in order to be ready to shoot, from A to Z.
11m
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Testing the light with a simple still life example composition 1
Before starting to work on our final image, I want to make sure we are technically on the same page! We will learn about lighting in order to understand how flashlights are responding in certain situations.
17m
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Testing the light with a simple still life example composition 2
We continue exploring interesting concepts in this part of the lesson. Don’t miss it!
9m
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8
Practicing flashlight with different materials
How flash light reacts with certain surfaces? We will take a picture of a piece of wood, a can and a glass and learn from this experiences o we know how to position the lights and set our camera when we take our final project photo.
9m
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Teaching about stacking with life example composition
To finish this unit, we will have a look into the technique of stacking. For this, we will use the exercises from the previous lessons. Let’s dive in!
12m
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Scouting for materials (for the subject of your photo)
As you will do for subjects you want to photograph in the case of a portrait, in still life photography is really important to imagine what you want in your picture. In this lesson we will talk about the importance of finding the right materials for your composition.
9m
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Setting up your space for our Final Project and Building up your composition 1
And now.. it is time to shoot! In this lesson I will teach you how to prepare the set, the tricks that come with transforming your sketches into a real image, and the hazard that comes once we start really shooting.
20m
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Setting up your space for our Final Project and Building up your composition 2
We keep exploring fascinating concepts in this stage of the lesson. Make sure to keep going!
14m
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Shooting our Final Project with stacking technique
For the last lesson of our third unit, we will finally build up our composition as now we have all the technical skills we need, as well as a set ready to go. We will build up together our final composition in relation to the sketches, understanding where is important to improvise and what elements/points we need to take into consideration.
19m
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Selecting and analyzing the pictures (Adobe Bridge)
In this lesson we will select the images for the final photo, we will separate them between images for the stacking and images for details and we will separate them as well into different stackings. Let’s take a look!
10m
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Stacking technique (Helicon Focus software)
Now that we selected the images, it is time to put them together! Stacking is for me the “skeleton” of our final composition, as we normally do this process with the image with the overall best lighting. In this lesson we will use the program Helicon Focus.
4m
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Final touches (Photoshop) 1
After stacking the images that need to be attached together is the moment to import your process into Photoshop. This is the main program I use to put the different elements together, as well as prepare the final image, contrasting or working on the lights/colors, in order to finalize our image!
20m
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Final touches (Photoshop) 2
We continue delving into interesting ideas in this part of the lesson. Pay close attention!
20m
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Final touches (Photoshop) 3
The third part
20m
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Final touches (Photoshop) 4
No three without four :)
14m
  • 126 students
  • 80 lessons (12h 44m)
  • 87 additional resources (33 files)
  • Online and at your own pace
  • Audio: English, Spanish
  • Spanish · English · Portuguese · German · French · Italian · Polish · Dutch
  • Level: Beginner
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What is this course's project?

Students will craft a captivating still-life photograph that demonstrates effective lighting and color balance. By manipulating light, backgrounds, and compositions, learners will create dynamic product shots that enhance visual impact and storytelling through carefully arranged objects, colors, and lighting techniques.

Who is this specialization for?

Aspiring photographers, creative professionals, and hobbyists passionate about still-life photography will find this specialization ideal. It suits those eager to explore lighting, composition, storytelling, and innovative techniques to create captivating and visually impactful images.

Requirements and materials

No extensive prior knowledge is required. Basic necessities include a camera, tripod, and lighting equipment. Access to editing software is beneficial. Gather simple props and backgrounds to enhance creativity. A passion for photography and willingness to explore new techniques is essential.

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What to expect from this specialization course

  • Learn at your own pace

    Enjoy learning from home without a set schedule and with an easy-to-follow method. You set your own pace.

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    Learn valuable methods and techniques explained by top experts in the creative sector.

  • Meet expert teachers

    Each expert teaches what they do best, with clear guidelines, true passion, and professional insight in every lesson.

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    Ask questions, request feedback, or offer solutions. Share your learning experience with other students in the community who are as passionate about creativity as you are.

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FAQs

Domestika's specialization courses are online classes that provide you with the tools and skills you need to complete a specific project. Every step of the project combines video lessons with complementary instructional material, so you can learn by doing. Domestika's specializations also allow you to share your own projects with other students, creating a dynamic course community.

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Creative Still-Life Photography Specialization: Master Lighting and Composition. Photography, and Video course by Domestika

Creative Still-Life Photography Specialization: Master Lighting and Composition

A specialization by multiple teachers
Berkeley, United States.
Joined April 2002
  • 126 students