Accessibility Statement
    Specialization

    Creative Still-Life Photography Specialization: Master Lighting and Composition

    Creative Still-Life Photography Specialization: Master Lighting and Composition

    What will you learn in this specialization?

    A total of 7 modules and 80 lessons
    A total of 12h 44m of vídeo lessons
    Taught by 6 selected expert teachers

    Still Life Photography3

    Still Life Photography

    Here I'll give you an introduction to the basics of still life and product photography. I'll talk about how to work with fashion products and set design to bring these images to life.

    5m

    Camera Equipment 4

    Camera Equipment

    In this lesson, I’ll take you through selecting the right camera and lenses.

    3m

    The Principles of Light5

    The Principles of Light

    Next, you'll learn the fundamental principles of light and the differences between a soft fill light and a hard light that mimics the sun.

    4m

    Developing the Concept6

    Developing the Concept

    Now that you have an understanding of the basics, it's time to start considering your concept. In this lesson, I will discuss the initial stages of framing your idea and developing it into a visual outcome.You will learn how to approach colour and the ideation process using art reference books and choosing your products.

    14m

    Building the Set 7

    Building the Set

    Here I'll demonstrate how to prepare all the necessary elements to photograph the products. First, I'll teach you how to work with the shoes against a beach background. I'll be working in my studio, showing you around and giving you insight into behind-the-scenes tips and tricks.

    3m

    Setting Up: Lights and Camera8

    Setting Up: Lights and Camera

    In this lesson, you'll learn how to position the tripod, get the camera connected to the computer, and sync the lights.

    4m

    Accessory Image Photo Session9

    Accessory Image Photo Session

    To end this unit, I'll take you through all the steps you need to complete to make your image a reality.

    3m

    Preparing the Set 10

    Preparing the Set

    Here you'll see how to change the elements of the set design to move on to the beauty image.

    3m

    Lighting the Set 11

    Lighting the Set

    Next, I'll demonstrate the effect of changing the light source to soft light. This is much more beneficial when working with gold or silverware.

    2m

    The Beauty Image Photo Session 12

    The Beauty Image Photo Session

    In this lesson, I'll walk you through the necessary steps to complete to capture all the elements you'll need to realise your image.

    3m

    Curating the Images 13

    Curating the Images

    In this lesson, you'll see how to go through the first capture session and choose the adequate images.

    3m

    Balancing Business with the Creative 14

    Balancing Business with the Creative

    This lesson is an essential run-through of all the other elements of being a photographer.

    6m

    How to Generate Original Ideas3

    How to Generate Original Ideas

    In this lesson, we'll show you how we come up with ideas, and we'll give you some tips for a consistent flow of new ideas. Once you've come up with an idea, it's essential to mind map it further to ensure you're exploring all options.

    17m

    Exploring Ideas through Research4

    Exploring Ideas through Research

    Now that you have your idea, you'll research everything you can about it. You'll look at its history, pop culture influences, personal memories, and anything else related to it.

    10m

    Creating a Narrative5

    Creating a Narrative

    When you're done researching, it's time to write a narrative statement that captures the mood and concept you're trying to emulate. Here, we'll show you how to do this!

    3m

    Creating a Mood Board6

    Creating a Mood Board

    In this lesson, we'll show you how to set up a mood board with references to the overall aesthetic and any notes you've taken during your research.

    6m

    Working with Food7

    Working with Food

    In this lesson, we'll discuss all of the various ways you can work creatively with food. You definitely don't need to be a chef! We'll also talk about the food prep you can do beforehand to help your shoot day go smoother and faster.

    6m

    Setting the Scene in Milanote8

    Setting the Scene in Milanote

    Using the narrative and mood board as a guide, it's time to start visualizing what a single photo would look like. You'll be asked questions about your scene that will help you design a set that communicates the narrative statement you made.

    7m

    Camera Angle, Color Palette, and Lighting9

    Camera Angle, Color Palette, and Lighting

    Now we'll teach you how to create a lighting plan and a color palette, and decide on a camera angle for the narrative. These should always be referring back to the narrative statement and mood board.

    14m

    Set Design and Props10

    Set Design and Props

    Next, you'll learn how to turn your mood board into a real-life set. We'll explore different ways to build sets and teach you some resourceful techniques. In addition, we'll talk about how to find or make props at home.

    14m

    Technical Equipment and Settings11

    Technical Equipment and Settings

    In this lesson, we'll talk about the camera gear and lighting that we'll be using to capture the scene.

    4m

    Setting up the Scene with Tethering12

    Setting up the Scene with Tethering

    Next, we'll start assembling the set using the mood boards as a reference. In addition, we'll discuss how tethering allows you to compose your scene more easily.

    2m

    Lighting and Styling13

    Lighting and Styling

    Once the scene has been set, it's time to add in the lighting and style the props to represent the narrative statement.

    18m

    Shooting the Final Photo14

    Shooting the Final Photo

    After a few final touches on the scene, we're ready for the photoshoot! In this lesson, we'll show you how to add the last details and capture the photo.

    5m

    Editing the Final Photo 115

    Editing the Final Photo 1

    All of our photos will now be loaded into Adobe Lightroom, and we'll review them to choose the best one. Then, we'll discuss how to adjust the basic exposure, color, and sharpness. Next, we'll move to Adobe Photoshop, and open the references to edit the image using color grading, contrast, saturation, and so on.

    17m

    Editing the Final Photo 216

    Editing the Final Photo 2

    Last but not least, we'll teach you how to merge the layers in Photoshop and start working on smaller details in order to clean up and finalize the image.

    14m

    An Inspired Still Life Photograph3

    An Inspired Still Life Photograph

    Let's start with the preparations to create an inspired still life photograph. Since the biggest inspiration for this project is the work of master painters from the 17th until the 19th century, I like to pay attention to their composition, use of light, and inanimate objects to create my image.

    5m

    The Composition4

    The Composition

    In this lesson, I will cover the composition rules I follow to contrive images with unity, balance, and contrast.

    3m

    Color Theory5

    Color Theory

    I will now talk about color theory and provide you with examples of applied color in my still life work.

    3m

    Creating a Mood Board6

    Creating a Mood Board

    It's really useful to create a mood board, as it can help you know in advance if the colors you are going to work with actually work together. It can also remind you of details that you don't want to forget and it helps you materialize your ideas.

    3m

    The Materials7

    The Materials

    To create a still life photograph, it's useful to have additional tools to help you keep objects in place, level different objects, bring in height and different layers, and add details. Some photography props can also help bounce or block light. Let me show you the materials I will use!

    8m

    The Styling8

    The Styling

    A big part of the success of a still life will fall within the scope of styling. So, take the time to arrange the object you will photograph, consider the composition rules I covered earlier, and begin to get creative with the arrangement.

    13m

    Framing and Camera Angles9

    Framing and Camera Angles

    After the styling is done and all the elements are in perfect symmetry, it's time to frame the scene. As I do so, I will explain the camera lens I use to shoot still lifes and why.

    4m

    The Lighting10

    The Lighting

    Once I have the set and the framing, I will work on the lighting. I will show you how I usually arrange the lights to achieve the light you have seen throughout my work.

    8m

    Photoshoot of a Still Life11

    Photoshoot of a Still Life

    Now that I have arranged the scene, the styling is done, and I have set the camera and lights, it's time to shoot! The still lifes I build can only be shot from two different angles, a 45-degree angle and a frontal shot. I will demonstrate both and the advantages of having variety.

    3m

    Selection and Lightroom Adjustments12

    Selection and Lightroom Adjustments

    After the photoshoot, the next step is to select the final image and make some corrections. Let me show you how I start the editing process in Lightroom.

    11m

    Photoshop and Exporting13

    Photoshop and Exporting

    Once the necessary adjustments and corrections are done, the image has to be exported for publication, either on social media, on a website, or in print. Here I will share my tips on that.

    12m

    Publishing, Editing, and Sequencing Your Work14

    Publishing, Editing, and Sequencing Your Work

    In this lesson, I will briefly cover why sequencing your work is important. Proper space for the proper image: I recommend keeping that in mind.

    4m

    Preproduction for Your Creative Still Life3

    Preproduction for Your Creative Still Life

    In this lesson, we will introduce you to our creative process, starting with brainstorming and putting together a mood board that will guide us through the creation of the project.

    9m

    Sketching4

    Sketching

    Next, we will share with you our sketching process that will help you find your concept.

    9m

    Searching and Building Props5

    Searching and Building Props

    Let's now go over the construction aspect of pre-production and discuss creative solutions for props building.

    13m

    Building the Prop and Set6

    Building the Prop and Set

    First, we will build our backdrop and the "stage" for where we will be styling our props and styling elements.

    20m

    Styling, Lighting, and Shooting7

    Styling, Lighting, and Shooting

    It's time to shoot! First, we will set up the lighting to work with a DSLR camera. Working with constant light sources means that you can shoot with either a cell phone or a DSLR camera. If you're shooting with a camera, it's still handy to get cell phone shots to share with the client, or on social media.

    19m

    Shooting and Editing with a Smartphone8

    Shooting and Editing with a Smartphone

    Let's now take some pictures with the smartphone. We will also go through some lighting options you can use and show you how to edit the photos on your smartphone.

    9m

    DSLR Photo Editing9

    DSLR Photo Editing

    In this lesson, we will show you how we make the overall adjustments, whatever is necessary—crop, adjust levels, color balance, etc. We will go over a few more involved Photoshop techniques.

    8m

    Detailed Retouching 110

    Detailed Retouching 1

    Finally, we will pixel-peep our photo and apply some detailed edits to give the image a clean and finished look.

    18m

    Detailed Retouching 211

    Detailed Retouching 2

    You will see how easily you can execute your creative concepts! We hope that you're now inspired to develop your own unique ideas.

    15m

    Plan your photo (sketch, moodboard and references)3

    Plan your photo (sketch, moodboard and references)

    It’s time to plan your photo for the final project. You will sketch first and then create a moodboard and find references to help you understand how you want to create your composition.

    20m

    Behind the scenes of a composition4

    Behind the scenes of a composition

    In this lesson I will show you some examples in my practice with the technique of “Showing the results and then showing the behind the scenes”. In this way we can “easily” understand what is behind the construction of an image and how we reach the final image.

    13m

    Materials for the course5

    Materials for the course

    In this lesson we will get ready for the shooting, be sure to have all the essentials in order to be ready to shoot, from A to Z.

    11m

    Testing the light with a simple still life example composition 16

    Testing the light with a simple still life example composition 1

    Before starting to work on our final image, I want to make sure we are technically on the same page! We will learn about lighting in order to understand how flashlights are responding in certain situations.

    17m

    Testing the light with a simple still life example composition 27

    Testing the light with a simple still life example composition 2

    We continue exploring interesting concepts in this part of the lesson. Don’t miss it!

    9m

    Practicing flashlight with different materials8

    Practicing flashlight with different materials

    How flash light reacts with certain surfaces? We will take a picture of a piece of wood, a can and a glass and learn from this experiences o we know how to position the lights and set our camera when we take our final project photo.

    9m

    Teaching about stacking with life example composition9

    Teaching about stacking with life example composition

    To finish this unit, we will have a look into the technique of stacking. For this, we will use the exercises from the previous lessons. Let’s dive in!

    12m

    Scouting for materials (for the subject of your photo)10

    Scouting for materials (for the subject of your photo)

    As you will do for subjects you want to photograph in the case of a portrait, in still life photography is really important to imagine what you want in your picture. In this lesson we will talk about the importance of finding the right materials for your composition.

    9m

    Setting up your space for our Final Project and Building up your composition 111

    Setting up your space for our Final Project and Building up your composition 1

    And now.. it is time to shoot! In this lesson I will teach you how to prepare the set, the tricks that come with transforming your sketches into a real image, and the hazard that comes once we start really shooting.

    20m

    Setting up your space for our Final Project and Building up your composition 212

    Setting up your space for our Final Project and Building up your composition 2

    We keep exploring fascinating concepts in this stage of the lesson. Make sure to keep going!

    14m

    Shooting our Final Project with stacking technique13

    Shooting our Final Project with stacking technique

    For the last lesson of our third unit, we will finally build up our composition as now we have all the technical skills we need, as well as a set ready to go. We will build up together our final composition in relation to the sketches, understanding where is important to improvise and what elements/points we need to take into consideration.

    19m

    Selecting and analyzing the pictures (Adobe Bridge)14

    Selecting and analyzing the pictures (Adobe Bridge)

    In this lesson we will select the images for the final photo, we will separate them between images for the stacking and images for details and we will separate them as well into different stackings. Let’s take a look!

    10m

    Stacking technique (Helicon Focus software)15

    Stacking technique (Helicon Focus software)

    Now that we selected the images, it is time to put them together! Stacking is for me the “skeleton” of our final composition, as we normally do this process with the image with the overall best lighting. In this lesson we will use the program Helicon Focus.

    4m

    Final touches (Photoshop) 116

    Final touches (Photoshop) 1

    After stacking the images that need to be attached together is the moment to import your process into Photoshop. This is the main program I use to put the different elements together, as well as prepare the final image, contrasting or working on the lights/colors, in order to finalize our image!

    20m

    Final touches (Photoshop) 217

    Final touches (Photoshop) 2

    We continue delving into interesting ideas in this part of the lesson. Pay close attention!

    20m

    Final touches (Photoshop) 318

    Final touches (Photoshop) 3

    The third part

    20m

    Final touches (Photoshop) 419

    Final touches (Photoshop) 4

    No three without four :)

    14m

    What is this course's project?

    Who is this specialization for?

    Requirements and materials

    Creative Still-Life Photography Specialization: Master Lighting and Composition

    Reviews

    324
    Students
    4
    Reviews
    100%
    Positive ratings
    • 1 month ago

      está muy bien

    • 11 months ago

      Todavía no he terminado el curso pero lo que he visto fue muy interesante. Diferentes temáticas para bodegones da utilidad al curso. Las explicaciones son muy didácticas. Recomendable.

    • 1 year ago

      Interesting and stimulating. Excellent course!

    • 1 year ago

      Especialización en fotografía de bodegones creativos un taller excelente.

    Select to get to know your teachers in this specialization course

    Gerard + Belevender

    Gerard + Belevender

    Art Direction and Photography Duo

    Victoria Jane

    Victoria Jane

    Photographer, Stylist, and Florist

    Amy  Currell

    Amy Currell

    Still-life Photographer and Director.

    Daniela Constantini

    Daniela Constantini

    Photographer

    littledrill

    littledrill

    Creative Studio

    Nicolas Polli

    Nicolas Polli

    Still Life Photographer

    See all 6 teachers

    What to expect from this specialization course

    • Learn at your own pace

      Enjoy learning from home without a set schedule and with an easy-to-follow method. You set your own pace.

    • Learn from the best professionals

      Learn valuable methods and techniques explained by top experts in the creative sector.

    • Meet expert teachers

      Each expert teaches what they do best, with clear guidelines, true passion, and professional insight in every lesson.

    • Certificates

      PLUS

      If you're a Plus member, get a custom certificate for every specialization course. Share it on your portfolio, social media, or wherever you like.

    • Get front-row seats

      Videos of the highest quality, so you don't miss a single detail. With unlimited access, you can watch them as many times as you need to perfect your technique.

    • Share knowledge and ideas

      Ask questions, request feedback, or offer solutions. Share your learning experience with other students in the community who are as passionate about creativity as you are.

    • Connect with a global creative community

      The community is home to millions of people from around the world who are curious and passionate about exploring and expressing their creativity.

    • Watch professionally produced courses

      Domestika curates its teacher roster and produces every course in-house to ensure a high-quality online learning experience.

    FAQs

    Yes, this course is designed for intermediate photographers who want to deepen their skills in still life, food, and botanical photography, focusing on creative composition, lighting, and storytelling.

    You can use a DSLR, mirrorless camera, or a smartphone. The course covers manual camera settings but also includes tips for documenting inspiration and shooting with a phone.

    You'll learn to compose detailed still lifes, control natural and studio lighting, create mood boards, select and style props, and edit images for professional results.

    The course covers still life composition, food and botanical photography, natural and artificial lighting, color theory, prop selection, mood board creation, and post-processing techniques.

    Some familiarity with manual camera settings is helpful, but the course explains ISO, aperture, and shutter speed adjustments step by step for still life photography.

    Yes, you'll learn how to use and control both natural and studio lighting, including speedlights and light modifiers, to create different moods and effects in your images.

    Absolutely. The course teaches you how to build both physical and digital mood boards, gather inspiration, and use them to plan your creative shoots.

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