
Editorial artwork is always tied to the article being illustrated—it uses symbolic solutions rather than literal interpretations to create pieces that invite intrigue and exploration. Melissa Deckert and Nicole Licht are the creatives behind Party of One–a studio specializing in story-driven visuals for brands, products, and publications. Alongside their commercial projects, they have created editorial illustrations for The New York Times, The Washington Post, and The Wall Street Journal.
In this online course, they teach you how to conceptualize and art-direct a photo-based editorial cover that incorporates set design, prop styling, and typography. Develop dynamic compositions that blur the lines between photography and illustration.
14 lessons & 12 downloads

7 minutes, 57 seconds

4 minutes, 52 seconds

4 minutes, 46 seconds

7 minutes, 40 seconds

10 minutes, 33 seconds

15 minutes, 34 seconds
Begin the course by getting to know the creative duo behind Party of One–Melissa and Nicole. Discover the creative careers that led them to found their own studio, along with the influences that inspire them and the work they create.
Dive into the creative brief for your project and begin brainstorming and sketching your ideas. Then develop three of them into a concept deck to present to a client, before exploring and researching items for your set.
Set up your shooting space, as well as your camera and lighting. Then style your props and preview your images through a tethered setup before capturing your shots.
Bring all your photographic layers together into one file in Photoshop and retouch your final image. To wrap up the course, Melissa and Nicole then show you how to design custom lettering to go on top of the image, as well as how to export your finished artwork.
Create an editorial cover from start to finish, with typography, set design, photography, and retouching.

This course is for anyone with an interest in creating photographic illustrations for editorial assignments.
Previous experience with a camera, lighting, and photo editing software is recommended.
In terms of materials, you will need access to a DSLR, lighting equipment, and an editing program like Photoshop.

świetny, kreatywny kurs - fantastyczne nauczycieli! warto mieć i polecam bardzo:)
i like this course
Muy bien explicado. He disfrutado de su proceso creativo y creo que va a resultarme útil para mi trabajo

Introduction
Preparation
Production
Post-production
Final project
Enjoy learning from home without a set schedule and with an easy-to-follow method. You set your own pace.
Learn valuable methods and techniques explained by top experts in the creative sector.
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Ask questions, request feedback, or offer solutions. Share your learning experience with other students in the community who are as passionate about creativity as you are.
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You'll learn how to combine handbuilt props, set design, photography, compositing, custom lettering, and digital editing to create editorial illustrations and covers. The course covers concept development, prop styling, lighting setups, and professional workflows from brainstorming to final image export.
Yes, this course is designed for intermediate learners with some experience in design or photography, looking to expand their skills in editorial illustration, prop styling, and compositing techniques.
Basic familiarity with Photoshop and InDesign is recommended, as you'll use these tools for compositing, editing, and building concept decks, but you don't need to be an expert.
You'll need access to a digital camera, tripod, props for set styling, basic craft materials, a computer with Photoshop and InDesign installed, and lighting or strobes for photography.
The course covers selecting, crafting, and arranging props to enhance visual storytelling in editorial photography, including techniques for material exploration, color schemes, and creating handmade textures.
Yes, you'll learn compositing techniques in Photoshop, including arranging layered images, correcting distortions, retouching, creating realistic shadows, and preparing images for publication.
Yes, it includes hand-drawing lettering, digitizing letterforms, integrating type with photos, and using masking and texture techniques for unique editorial cover designs.